| dc.contributor.author |
CATASTINI, Francesco |
|
| dc.date.accessioned |
2011-11-14T11:28:53Z |
|
| dc.date.available |
2011-11-14T11:28:53Z |
|
| dc.date.issued |
2011-01-01 |
|
| dc.identifier.citation |
Memoria e Ricerca, 2011, 37, 2, 143-154 |
en |
| dc.identifier.issn |
1127-0195 |
|
| dc.identifier.issn |
1972-523X |
|
| dc.identifier.uri |
http://hdl.handle.net/1814/19178 |
|
| dc.description.abstract |
This paper discusses the absence of public history-teaching programs in Italian universities, and focuses on the practice of history in Italian open public spaces. The emergence of history festivals is analyzed as a phenomenon that affects not only history, but also other disciplines, such as philosophy, literature and even mathematics, and as a way to promote forms of civil engagement trough theater, drama, music and cinema. The paper suggests that the Italian way to Public History -the organization of history festivals- provides an occasion for professional historians to meet the public and to actively participate in civil society. |
en |
| dc.language.iso |
it |
en |
| dc.subject |
Public History |
en |
| dc.subject |
History Festival |
en |
| dc.subject |
Theater |
en |
| dc.subject |
Music |
en |
| dc.subject |
Movie |
en |
| dc.subject |
Engagement |
en |
| dc.title |
I festival di storia: una via italiana alla Public History? |
en |
| dc.title.alternative |
Festivals of History: An Italian way towards Public History? |
|
| dc.type |
Article |
en |
| dc.identifier.doi |
10.3280/MER2011-037009 |
|