dc.contributor.author | CATASTINI, Francesco | |
dc.date.accessioned | 2011-11-14T11:28:53Z | |
dc.date.available | 2011-11-14T11:28:53Z | |
dc.date.issued | 2011-01-01 | |
dc.identifier.citation | Memoria e Ricerca, 2011, 37, 2, 143-154 | en |
dc.identifier.issn | 1127-0195 | |
dc.identifier.issn | 1972-523X | |
dc.identifier.uri | https://hdl.handle.net/1814/19178 | |
dc.description.abstract | This paper discusses the absence of public history-teaching programs in Italian universities, and focuses on the practice of history in Italian open public spaces. The emergence of history festivals is analyzed as a phenomenon that affects not only history, but also other disciplines, such as philosophy, literature and even mathematics, and as a way to promote forms of civil engagement trough theater, drama, music and cinema. The paper suggests that the Italian way to Public History -the organization of history festivals- provides an occasion for professional historians to meet the public and to actively participate in civil society. | en |
dc.language.iso | it | en |
dc.subject | Public History | en |
dc.subject | History Festival | en |
dc.subject | Theater | en |
dc.subject | Music | en |
dc.subject | Movie | en |
dc.subject | Engagement | en |
dc.title | I festival di storia: una via italiana alla Public History? | en |
dc.title.alternative | Festivals of History: An Italian way towards Public History? | |
dc.type | Article | en |
dc.identifier.doi | 10.3280/MER2011-037009 | |