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dc.contributor.authorCOLLINS, Damianen
dc.date.accessioned2006-06-09T09:42:01Z
dc.date.available2006-06-09T09:42:01Z
dc.date.issued1985
dc.identifier.citationFlorence : European University Institute, 1985en
dc.identifier.urihttps://hdl.handle.net/1814/5493
dc.descriptionSupervisor: T. Daintith
dc.descriptionAward date: 31 December 1985
dc.descriptionOn cover written '18.03.1986'
dc.descriptionPDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
dc.description.abstractAn American lawyer who attended a symposium on copyright contracts a number of years ago in Europe offered the following as an example of the network of contractual relationships which can operate in copyright. "Novelist A grants publication rights to B who sublicences C to publish in paperback and D to publish abroad, A reserving other rights subsequently disposed of by the grant of film rights to E, who arranges co-production of a television series with F, who shares the sound-track album rights with G and licences character merchandising rights to H for Germany, I for Australia and J for everywhere else, with book synopsis rights to a television spinoff series using the basic character in new stories awarded to K, and so on, perhaps indefinitely.
dc.format.mimetypeapplication/pdf
dc.language.isoenen
dc.publisherEuropean University Instituteen
dc.relation.ispartofseriesEUIen
dc.relation.ispartofseriesLAWen
dc.relation.ispartofseriesLLM Thesisen
dc.rightsinfo:eu-repo/semantics/restrictedAccess
dc.subject.lcshCopyright
dc.titleCopyrights and contracts : elaboration and exerciseen
dc.typeThesisen
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