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dc.contributor.authorFLORES, Jorge 
dc.date.accessioned2019-01-18T08:09:27Z
dc.date.available2019-01-18T08:09:27Z
dc.date.issued2018
dc.identifier.citationItinerario, 2018, Vol. 42, No. 3, pp. 461-489en
dc.identifier.issn0165-1153
dc.identifier.urihttp://hdl.handle.net/1814/60464
dc.descriptionPublished online: 31 December 2018en
dc.description.abstractThe article builds on a succession of visually disturbing events that occurred in Goa—the capital city of Portuguese India—during the sixteenth and seventeenth centuries. From the early years of the Portuguese conquest (1510), Goa went through a redefinition of its urban space, which implied the appropriation and re-semantization of buildings and other key sites of the old Muslim city. This process included the spread of images and symbols related to several Portuguese viceroys, soon-to-be targets of acts of political insult and even political iconoclasm performed by their Portuguese opponents in a context of growing factionalism. We speak namely of episodes of protest against places of memory associated to different clans, encompassing statues (both official and bogus), textual inscriptions, and viceroys' portraits. These were European phenomena to a large extent, but coloured by significant local and native elements. The article engages with a grid of questions that places real statues, satirical effigies, and erased faces (and the diverse reactions they have aroused) in dialogue with current debates on popular politics; high and low vis-à-vis the colonial social fabric; the uses of public space; verbal, written, and visual insult; political languages; and disputed authority in an imperial setting.en
dc.language.isoenen
dc.relation.ispartofItinerarioen
dc.titleKilling images : iconoclasm and the art of political insult in Sixteenth and Seventeenth century Portuguese Indiaen
dc.typeArticleen
dc.identifier.doi10.1017/S0165115318000621
dc.identifier.volume42en
dc.identifier.startpage461en
dc.identifier.endpage489en
dc.identifier.issue3en


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