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dc.contributor.authorETKIND, Alexander
dc.date.accessioned2019-03-01T14:53:56Z
dc.date.available2019-03-01T14:53:56Z
dc.date.issued2016
dc.identifier.citationNovoe literaturnoe obozrenie, 2016, No. 140, pp. 70-72
dc.identifier.issn0869-6365
dc.identifier.urihttps://hdl.handle.net/1814/61526
dc.description.abstractThe ten responses gathered here in response to Michael David-Fox's article Russian — Soviet Modernity: None, Shared, Alternative, or Entangled? represent a broad diversity of opinions. The discussion centers around the question of Soviet and post-Soviet modernity as such: did Russia have a modernity at all, and if yes, then in what form and of what quality? Each participant in the discussion suggests his or her own conception of modernity and vision of what Russian modernity looks like (or argues that there can be no discussion of “modernity” in connection with Russia or the USSR). Meanwhile, the respondents also comment at length on the historiography of (post-) Soviet modernity, the starting point for David-Fox's article in the first place.
dc.publisherNovoe Literaturnoe Obozrenie-New Literary Observeren
dc.relation.ispartofNovoe literaturnoe obozrenie
dc.titleReversible modernity
dc.typeArticle
dc.identifier.startpage70
dc.identifier.endpage72
eui.subscribe.skiptrue
dc.identifier.issue140


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