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dc.contributor.authorPIGNARRE-ALTERMATT, Thor-Oona Swanhild
dc.date.accessioned2022-08-31T15:09:16Z
dc.date.available2022-08-31T15:09:16Z
dc.date.issued2022
dc.identifier.citationCultura, espaço & memória, 2022, No. 14, pp. 285-296en
dc.identifier.issn2182-1097
dc.identifier.urihttps://hdl.handle.net/1814/74844
dc.descriptionPublished online 2 August 2022
dc.description.abstractThe analysis of a series of Tournaisian wills dating from the first half of the 15th century demonstrates that images could function in different ways. Mobile objects such as statues or altarpieces, once placed on an altar, contributed to delineating the space for prayer within the home and participated to the liturgical performance. But as figurative images, they also allowed worshippers to contemplate the sacred figures, which were not simply represented but made present through the material qualities of images such as polychromy or thanks to interaction with light. It is therefore necessary to deepen our understanding of what the historiography of domestic devotion terms the 'devotional function of images'.en
dc.format.mimetypeapplication/pdfen
dc.language.isofren
dc.publisherFaculdade de Letras da Universidade do Portoen
dc.relation.ispartofCultura, espaço & memóriaen
dc.relation.urihttps://ojs.letras.up.pt/index.php/CITCEM/article/view/11746
dc.rightsinfo:eu-repo/semantics/openAccessen
dc.titleImage et dévotion domestique : enquête à partir de testaments tournaisiens du XVe siècleen
dc.typeArticleen
dc.identifier.doi10.21747/2182-1097/14a15
dc.identifier.startpage285en
dc.identifier.endpage296en
dc.identifier.issue14en


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