Performing memory : corporeality, visuality, and mobility after 1968
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New York : Berghahn Books, 2023, Making Sense of History, Vol. 47
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PASSERINI, Luisa, REINISCH, Dieter (editor/s), Performing memory : corporeality, visuality, and mobility after 1968, New York : Berghahn Books, 2023, Making Sense of History, Vol. 47 - https://hdl.handle.net/1814/76369
Abstract
Through a post-1968 perspective on the past 50 years, Performing Memory brings together case studies on new developments in the relationship between politics and visual representation—including the histories of dance, theatre, political performance and cinema and investigates how they relate to the interlinked concepts of visuality, corporeality and mobility. Using a collective transdisciplinary attitude from within historical disciplines, and looking across to artistic fields, this volume demonstrates that memory is not merely a recollection of experience but an interactive process, in which the body, mobile and constrained, is both a point of departure and reference.
Table of Contents
-- Introduction
-- Part I. Body in Movement/Body in Constraint
-- Chapter 1. Bodily Ways of Knowing and Remembering: Movement, Kinaesthesia and Mobility
-- Chapter 2. Corporeality and Militant Performance during Northern Irish Prison Protests, 1971–1983
-- Part II. Spectacle and Activism
-- Chapter 3. Soviet Media after 1968: Visuality, Corporeality and Identity
-- Chapter 4. Bartering and Cross-Border Embodied Performances
-- Chapter 5. The Filmmaker as Saboteur: Found Footage and Radical Appropriation in Llorenç Soler’s Militant Films
-- Part III. Reports from the Field
-- Chapter 6. A Letter to the Future: Autumn Knight’s WALL (2016/2019) at the Studio Museum in Harlem
-- Chapter 7. Philadelphia Immigration Stories: Making the Aural Visual
Additional Information
Published online: June 2023