Show simple item record

dc.contributor.authorWALIGORSKA, Magdalenaen
dc.date.accessioned2006-03-23T10:11:54Z
dc.date.available2006-03-23T10:11:54Z
dc.date.created2005en
dc.date.issued2005en
dc.identifier.citationPolish Sociological Review, 2005, 152, 4, 367-382en
dc.identifier.issn1231-1413
dc.identifier.urihttp://hdl.handle.net/1814/4258
dc.description.abstractThe revival of Jewish traditional music in Krakow, performed mostly by non-Jews, provokes the question about the relation of ethnic identity and ethnic music. How do Polish klezmer musicians and cultural organizers identify themselves with the Jewish culture that they cultivate? The interviews with the members of the klezmer milieu in Krakow indicate that the revival provokes them to undergo a complex process of negotiating their Polish identity in confrontation with Jewishness and the Jewish outlook on Polish history. The experience with the music of the others inspires them to revise their national myths and stereotypes. While doing that they adopt various techniques that help them achieve a positive identification with their ingroup.
dc.language.isoenen
dc.titleA Goy Fiddler on the Roof. How the Non-Jewish Participants of the Klezmer Revival in Kraków Negotiate Their Polish Identity in a Confrontation with Jewishnessen
dc.typeArticleen


Files associated with this item

FilesSizeFormatView

There are no files associated with this item.

This item appears in the following Collection(s)

Show simple item record