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dc.contributor.authorNICOLAÏDIS, Kalypso
dc.date.accessioned2022-07-28T10:29:59Z
dc.date.available2022-07-28T10:29:59Z
dc.date.issued2009
dc.identifier.citationGabrielle MAAS (eds), Echoes of empire : memory, identity and colonial legacies, London : I.B. Tauris, 2009, pp. 283–304en
dc.identifier.isbn9780857738967
dc.identifier.isbn9781784530518
dc.identifier.isbn9781784530501
dc.identifier.urihttps://hdl.handle.net/1814/74820
dc.descriptionPublished online: 29 June 2020en
dc.description.abstractIn today’s Japan, one can eat a delicious noodle soup exhibiting a circle of meat swimming at its periphery. The dish is called ‘Southern Barbarians’, as is an elegant sixteenth-century painting attributed to Kano Sanraku depicting a bunch of white men walking ashore from a grand ship presumably sailing from the South Sea. These were the Europeans of the time, Nanban or Southern Barbarians.en
dc.language.isoenen
dc.publisherI.B. Taurisen
dc.titleSouthern barbarians? : a post-colonial critique of EUniversalismen
dc.typeContribution to booken
dc.identifier.doi10.5040/9780755624270.0021


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