Introduction : a revolution in colour in late medieval and early modern Europe

Abstract

Colour gained greatly in aesthetic value during this time, and until the end of the seventeenth century, most people held that humans see colour rather than light. Many artists attempted to achieve ever greater veracity and brilliance in their representation of colour to truly bring their subjects to life. Colour was perceived as a potent power that shaped, as well as expressed, the soul. Much of this artistic colour world was materially created through dyes and informed by watching and wearing colourful dress in constantly changing shades. New variants of pigments and colourants, chemical experiments and innovative techniques greatly expanded the range and relevance of colours seen by contemporaries. A Revolution in Colour thus brings together leading scholars who cover the broad geographies of late medieval and early modern Europe and consider the connections between Europe and other parts of the world. Their expertise covers histories of the economy, trade, textiles, art and dress, and science and scientific analysis.