| dc.contributor.author | NICITA, Antonio | |
| dc.contributor.author | RINALDI, Sara | |
| dc.date.accessioned | 2016-03-15T13:46:05Z | |
| dc.date.available | 2016-03-15T13:46:05Z | |
| dc.date.issued | 2011 | |
| dc.identifier.citation | Mercato concorrenza regole, 2011, Vol. 13, No. 2, pp. 295-314 | |
| dc.identifier.isbn | 9788815147547 | |
| dc.identifier.issn | 1590-5128 | |
| dc.identifier.uri | https://hdl.handle.net/1814/40189 | |
| dc.description.abstract | In 2007 the rock band Radiohead launched the new album through on-line sale, through the formula pay-what-you-want for the first month. Surprisingly, more than 40% of consumers paid a price greater than zero. Once the formula expired, the album registered a record in sales. This «natural experiment» provides useful guidelines on the most appropriate policy design to manage copyright law in the digital era. | |
| dc.language.iso | it | |
| dc.relation.ispartof | Mercato concorrenza regole | |
| dc.title | 'Pay what you want!' : 'diritti' al successo? : il caso dei Radiohead | |
| dc.type | Article | |
| dc.identifier.doi | 10.1434/35249 | |
| dc.identifier.volume | 13 | |
| dc.identifier.startpage | 295 | |
| dc.identifier.endpage | 314 | |
| dc.identifier.issue | 2 | |