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dc.contributor.authorLAHUSEN, Christian
dc.date.accessioned2016-09-23T15:22:13Z
dc.date.available2016-09-23T15:22:13Z
dc.date.issued1993
dc.identifier.citationPopular music, Vol. 12, No. 3, 1993, pp. 263-280en
dc.identifier.issn0261-1430
dc.identifier.issn1474-0095
dc.identifier.urihttps://hdl.handle.net/1814/43409
dc.descriptionFirst published online: 11 November 2008en
dc.description.abstractThe relationship between popular music and social movements does not in itself constitute an exceptional phenomenon. However, Basque Radical Rock (as Basque punk has come to be called) has emerged as a peculiar phenomenon of the history of political mobilisation in Euskadi (the Basque name for Basque country). This peculiarity is due to the fusion of an eminently anti-establishment music of anglo-saxon origin with a nationalist patriotic movement. The 'alliance' between these two such diverse spheres is the theme of this article. Such an alliance is of interest because it reveals how the discursive and organisational linkages which formed Basque radical rock defined a common struggle shared by punks and nationalist activists.en
dc.language.isoenen
dc.relation.ispartofPopular musicen
dc.titleThe aesthetic of radicalism : the relationship between punk and the patriotic nationalist movement of the Basque countryen
dc.typeArticleen
dc.identifier.doi10.1017/S0261143000005717
dc.identifier.volume12en
dc.identifier.startpage263en
dc.identifier.endpage280en
dc.identifier.issue3en


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