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dc.contributor.authorPASSERINI, Luisa
dc.contributor.authorGABACCIA, Donna
dc.contributor.authorIACOVETTA, Franca
dc.date.accessioned2019-03-01T14:54:06Z
dc.date.available2019-03-01T14:54:06Z
dc.date.issued2016
dc.identifier.citationWomens history review, 2016, Vol. 25, No. 3, pp. 458-469
dc.identifier.issn0961-2025
dc.identifier.issn1747-583Xen
dc.identifier.urihttps://hdl.handle.net/1814/61547
dc.description.abstractIn this final contribution to this theme issue on Luisa Passerini's important scholarship, the guest editors and Passerini discuss her current EU Research Council-funded collaborative project, BABE, which is meant to bring together oral and visual forms of memory that reformulate the concept of Europe (and Fortress Europe) in more inclusive ways. Its distinctive features are discussed, including the collection and analysis of drawings and other visual itineraries by artists and other subjects, including students, from the global diaspora in Europe. Other topics include the importance of conversation in oral history work, the 'mobility turn,' and the gendered nature of mentorship.
dc.language.isoen
dc.publisherTaylor & Francis (Routledge)en
dc.relation.ispartofWomens history review
dc.titleBodies across borders : oral and visual memory in Europe and beyond' (BABE) : a conversation with Luisa Passerini, Donna Gabaccia, and Franca Iacovetta
dc.typeArticle
dc.identifier.doi10.1080/09612025.2015.1071564
dc.identifier.volume25
dc.identifier.startpage458
dc.identifier.endpage469
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dc.identifier.issue3


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